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''The Alamo'' is a 1960 American historical epic film about the 1836 Battle of the Alamo produced and directed by John Wayne and starring Wayne as Davy Crockett. The picture also stars Richard Widmark as Jim Bowie and Laurence Harvey as William B. Travis, and the supporting cast features Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O'Brien, Chill Wills, Joseph Calleia, Ken Curtis, Ruben Padilla as Santa Anna, and guest star Richard Boone as Sam Houston. The movie was photographed in 70 mm Todd-AO by William H. Clothier and released by United Artists. ==Plot== The film depicts the Battle of the Alamo and the events leading up to it. Sam Houston leads the forces fighting for Texas independence and needs time to build an army. The opposing Mexican forces, led by General Santa Anna, are numerically stronger and also better armed and trained. Nevertheless, the Texans have spirit and morale remains generally high. Lieutenant Colonel William Travis is tasked with defending the Alamo, a former mission just outside San Antonio. Jim Bowie arrives with reinforcements, and the defenders dig in. Meanwhile, Davy Crockett arrives. Santa Anna's armies arrive and surround the fort. The siege begins. Jim Bowie goes to Santa Anna under the peace flag, so Travis, angered by Jim Bowie, shoots a cannon at the armies, saying he will negotiate peace from a position of power only. In a nighttime raid, the Texans sabotage the Mexicans' biggest cannon. The Texans maintain high hopes as they are told a strong force led by Colonel James Fannin is on its way to break the siege. Crockett, however, sensing an imminent attack, sends one of his younger men, Smitty, to ask Houston for help. Crockett knows this will perhaps save Smitty's life. The Mexicans frontally attack the Alamo. The defenders hold out and kill hundreds of charging Mexican soldiers, further boosting morale, although the Texans' own losses are not insignificant. Bowie sustains a leg wound. All of the foregoing has no basis in fact, as there is no historical record of an initial frontal assault rebuffed by the defenders, and history indicates Bowie to be sick and debilitated in his quarters at this point in time. The movie then depicts morale dropping when Travis tells his men that Fannin's reinforcements have been ambushed, and, after surrendering, slaughtered by the Mexicans. Travis chooses to stay with his command and defend the Alamo, but he gives the other defenders the option of leaving. Crockett, Bowie and their men prepare to leave, but an inspired tribute by Travis convinces them to stay and fight to the end. On the thirteenth day of the siege, Santa Anna's artillery bombards the Alamo and kills or wounds several Texans. The entire Mexican army sweeps forward, attacking on all sides. The defenders kill dozens of charging Mexicans, but the attack is overwhelming. The Mexicans blast a hole in the Alamo wall and soldiers swarm through. Travis tries to rally the men but is shot and killed. Crockett leads the Texans in the final defense of the fort. The Mexicans take heavy losses, but swarm through and overwhelm the Texans. The Texans retreat to their final defensive positions. Crockett is killed in the chaos when he is run through by a lance and then blown up as he ignites the powder magazine. Bowie, in bed with his wound, kills several Mexicans but is bayoneted and dies. As the last Texan is killed, the Mexican soldiers discover the hiding place of the wife and child of Texan defender Captain Dickinson. The battle is over and the Mexicans have won. Santa Anna observes the carnage and provides safe passage for Mrs. Dickinson and her child. Smitty returns too late, watching from a distance. He takes off his hat in respect and then escorts Mrs. Dickinson away from the battlefield. The subplot follows the conflict existing among the strong-willed personalities of Travis, Bowie, and Crockett. Travis stubbornly defends his decisions as commander of the garrison against the suggestions of the other two - particularly Bowie with whom the most bitter conflict develops - as well as trying to maintain discipline amongst a force made up primarily of independently-minded frontiersmen and settlers. Crockett, well liked by both Bowie and Travis, eventually becomes a mediator between the other two as Bowie constantly threatens to withdraw his men rather than deal with Travis. Despite their personal conflicts, all three learn to subordinate their differences and in the end bind themselves together in an act of bravery to defend the fort against inevitable defeat. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Alamo (1960 film)」の詳細全文を読む スポンサード リンク
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